You won’t believe what’s going on behind the curtain.
What happens when the girl who runs from everything finally decides to stay put?
Harper Harrison is an accomplished, independent, and vibrant young woman. As a freelance production stage manager, she’s no stranger to being in charge. She knows how to get the impossible done, even if she has to take a few shortcuts for the sake of theatre magic. She has one fatal flaw, though. When things get complicated, uncomfortable, or she even thinks they might go wrong, especially in her personal life, she bolts.
Lucas Mason is a fellow freelancer, and when they work the same show, sparks fly. They share a love of the stage and high stakes sex. They’ve christened nearly every location backstage unashamedly, but Harper wants more. Lucas makes every effort to keep her at arm’s length. He blames it on their crazy schedules, but Harper believes something more is going on.
They reconnect after an extended break and Harper is shocked to find out that Lucas is now her boss. He has a dominant streak that he isn’t afraid to display, and she isn’t a fan. Answering to Lucas takes more than a little getting used to, and after a trip or two over his knee, she decides that maybe a relationship with him is more than she bargained for, after all.
Harper leaves town to chase her Broadway dream and to take comfort in the familiarity of her ex-boyfriend. New York isn’t home, though, and Harper has to face the truth of her situation. The easygoing man she’s with isn’t the one she wants or needs. Lucas is three thousand miles away, and he has no intention of chasing her.
To have the life she wants, Harper will need to face all of her demons, confess her transgressions, and accept her punishment. It’s the only way they’ll ever find themselves sharing backstage again.
Publisher’s Note: This work contains depictions of adult sexual activity and adult domestic discipline. If you would rather not be exposed to such topics, please don’t read this book.
“Hopefully the memory of this spanking will better help you control your impulses and reflexes.”
“¡Ay! Tómalo con calma. Sí, papi!”
She wasn’t even close to tears, but these spanks packed a lot more power than what she’d been getting in passing. There was no doubt he meant business. It wasn’t that she didn’t take him seriously before, but now it felt like he was drawing his own hard line. Focused in on the searing happening on her backside, Harper became acutely aware of the sound. Lucas had stopped lecturing, and now the only audio vibrating off the walls were her cries and the sound of flesh on flesh impact. Her subconscious was having its own internal dialogue now.
It was just an impulse, right? She didn’t have some sort of impaired psyche that really wanted to feel what a serious punishment would be like, did she?
Lucas tapped her hip so she would lift a little for him to get her pajama bottoms and panties down. The girl hardly kept clothes on in the house and only ever slept in tank tops and panties, but he guessed self-preservation had kicked in and motivated her to slip on his old University of Arizona flannel bottoms. If he weren’t about to redden her backside, for scaring a year off his life, he’d have appreciated the look more. She had to wear them cuffed at the top and bottom to get around in them, but she loved them and looked adorable on the rare cold Arizona night.
Harper reached back in a futile attempt at impeding his clothing removal process. That sting was pretty powerful through her clothes, and she didn’t want to gain any knowledge of how painful it might be without them.
“I promise I will start from scratch, Harper if you don’t get those hands back in front of you.”
Paige Parsons is a creative Joan of all Trades, with her first love being theatre. Now living and working in Japan, Paige, a native New Yorker, has always loved the world of make believe. Whether reading, writing or performing she loves a good story.
She holds an undergraduate degree in Communications-Broadcast Journalism/English-Creative Writing, a graduate degree in Elementary Education, and is ABD for her doctorate in Education-Brain Research.
Having spent the last 25 years collecting stories around the stage as an actress, stage manager, and production manager, it is no surprise that Paige loves to tell stories, read stories, and put stories up on the stage.