Tag Archives: Erica Scott

Summer Spanks – Scorching hot teachers and hot bottoms to match!

summer spanks

Welcome to Summer Spanks 2014! There are a ton of prizes to win on the main site page! All you have to do is comment below (with your email address, please), and you will automatically be entered into the main prize drawings.

Thank you to our hosts, Saturday Spankings and Spanking Romance Reviews, and our awesome prize donators!

I will also be giving out a few prizes, myself. One winner will get an e-copy of one of my books (The Coach’s Discipline or The Winter Storm). Another winner  will receive a $5 gift certificate to Blushing Books. Don’t forget to leave your email address.

Have fun and enjoy the spankings!


(I know, I said from the get-go, I wasn’t going to do a school story. I was going to do a summer one, no matter what! Well, these characters just popped into my head, and begged for a little action, so I had to oblige. All characters have agreed to be “used” in this forum. 🙂 And I even found some cool visuals to go with the piece. Enjoy!)


Katherine sat at her little desk twirling her blonde hair between two fingers, scowling at her best friend, Corinne, who was happily scribbling out a rough draft.

The first day of class at Saint Larrup’s school for authors was proving not only to be boring and unproductive, but also frustrating as all hell.

“How’s your character sketches coming, authors?” The handsome, stern teacher, Mr. Sterling called from the front of the room.

sexy teacher


“It’d be a lot better if someone wasn’t stealing my men.” Katherine grumbled and kicked Corinne’s feet.

“Ungh! What was that for,” Corinne glared and whispered.

“You know I wanted the hot 32 year blond werewolf hunk for my petite brunette pixie.” Katherine said angrily.

“Well,” Corinne smiled sweetly, “I’m using a 32 year old blond fireman for my petite brunette lawyer. It’s completely different. Suck it up, whiner.”

“Yeah, Katherine, completely different. One’s contemporary, the other’s, what the hell do you call a mixture of paranormal and fantasy anyway.” Their friend, Adaline laughed.


A long ruler cracked down on Adaline’s desk, startling all the women.

“Ladies. Eyes on your papers, mouths closed, please,” The assistant professor, Miss Pandora Blake, gave them a firm scold.


Katherine’s cheeks flushed red, hating being called out in front of the whole class.

Natasha stifled a giggle, and shook her head.

“Goody goody.” Katherine nudged Natasha’s seat, tapping her plaid backside with her saddle shoes. “You know, you don’t always have to sit up front.” Katherine whispered.

“Good girls always sit up front,” Natasha winked.

“Good girl, my a—“

“How’s the sketch coming, Ms. Deane?” Mr. Sterling‘s cool eyes bore into Katherine’s, and she hiccupped nervously. “Working on it, sir.”

Grrr! Katherine crumpled up her page of scribbled paper, and tossed it aside. Unfortunately, it popped off Corinne’s head.

“What now?” Corinne rolled her eyes and glared.

“I have writer’s block. I can’t write anything now.” She huffed under her breath, and turned her attention back to her empty paper when Mr. Sterling turned her way again.

When both the handsome professor and his sexy assistant teacher were well into a quiet conversation about dialog tags, Katherine handed Corinne a note.

Give me the blond hottie!!!!!!!

Hell No! 🙂 came the written reply

You suck!

And you swallow, 🙂 🙂 🙂 Corinne giggled when she passed the note back, infuriating Katherine even more.

“I need my own hottie!” Katherine hissed.

“You need to learn share!” Corinne whispered, getting angry.

“You need to ‘pants’ more.” Katherine glared.

Adaline giggled. “Ooh, the pantser’s on a roll!”

Well,” huffed Corinne, “You could try a little plot outlining once in a while instead of calling me at one am to tell me about all your ideas.”

“I need to talk them out!” Katherine barely kept her angry words as a whisper.

“Pantser and a plotter, sitting in a tree…” Adaline sang.

“Ooh,” Renee Rose leaned in, excited, “You two should kiss!”

Casey McKay grumbled, “Just get the fight over with already before you get us all in trouble.”

“Fine.” Corinne smiled. “I’m just going to plot out the best way to use my blond hottie.”

Arrrrgh!” Katherine stood in a rage, and grabbed Corinne’s dark ponytail, and yanked.

Corinne stood and both women faced off in a showdown of vicious dialog tag comments and hair pulling.

All hell broke loose.

“Fight, fight, fight!” Casey jumped onto the top of her desk with a loud “Woohoo! Elbow her in the chest! Yeah!”

brandi chastain sports bra pic


Tara shook her head, smiling. “That’s a fret.”

Renee and Adaline broke into loud peals of laughter, and egged on the two women as Casey worked the class into frenzied shouts. She had just started the class on a huge stadium wave, when a loud piercing whistle cut through the classroom.

A very angry teacher folded his arms across his chest, glaring at the women in the center of the room.

“Who started this?” he asked, his voice deadly quiet, and very scary.

rolling up sleeves

All hands in the room pointed to Katherine and Corinne.

“If you ask me, sir, I think you should plug them both.” Natasha gave an angelic smile of perfect white teeth, and handed him two silicone plugs from her backpack.

His incredulous look, caused her to shrug as she smiled. “I carry them with me wherever I go. You know never know when you might need one.”

“Plug them! Plug them! Plug them!” Casey jumped up and down and shouted in a frenzy, until Mr. Smith took her by the ear.

He led her to a corner in the classroom, swatting her bottom. “No more getting everyone worked up, Ms. McKay. This is not a derby match.” He swatted the back of her plaid skirt. “You stay here, quietly.”
spanked over panties


He worked his way back to the center of the room, and all eyes looked to the floor, except for Tara Finnegan’s.

“Oy, Teach! I need to use the jacks.” (Irish slang for using the restroom) She stood and grinned at the large man in front of her.

“I think, Ms. Finnegan,” he glanced at the pack of cigarettes hanging in her lacy, black garter belt. Her plaid skirt was two inches shorter than the rest of her classmates showing off her cigarettes and accentuating her killer black combat boots. “that a trip to the bathroom has nothing to do with using the facilities.”

“Ah, feck! Sure look it.” (acceptable Irish response for pretty much anything) She winked.

He gave her a quick swat across the back of her short skirt, before she left the room.

 schoolgirl spanking by teacher


It seems some other young ladies are in need of a refresher course in school etiquette.” He addressed the class. “Ms. Scott,” he called out to the new exchange student, Erica Scott, who was still in the other corner, holding her skirt above her waist, her bottom blooming red, “Please explain to the class your experience with the lexan paddle.”

erica scott in cornerhttp://ericascottlls.blogspot.com/

She winced and rubbed her red cheeks. “On a scale of one to five, sir, I would call it a 4.5. That mother hurt.”

“We’ll conclude your session after class, Ms. Scott. Please pull up your panties, and return to your desk.


Ms. Alexander, Ms. Deane, front and center.”

“Did you forget this class uses corporal punishment?” Corinne whispered to Katherine as they marched to the front of the room.

“I forgot about that. Nuts!” Katherine scowled.

rolling up sleeves

Ladies, please bend over and place your hands on the desk.” He said, pulling the long wooden paddle from the wall.

He rolled up their plaid skirts, so their cotton panties were in view for everyone to see.

“What have we here?” He patted Katherine’s backside.

Gah! Katherine had forgotten about the white panty rule. “Um, they’re Underdog, sir.” She flushed.

“Are these the appropriate apparel for St. Larrup’s school uniform.” He patted her panties, squeezing her left cheek.

“N-no, sir.” She shuddered.

Well. They will just have to come off.” He stripped them down her legs faster than she could say Sweet Polly Purebred, and the cool air rushed between her bottom cheeks.

He nudged her feet apart, and she knew her classmates were now getting a full view of every bit of her most intimate parts. Gawd, how embarrassing!

“How many strokes should these naughty girls get for disrupting class?” He asked aloud.

“Fifty! And the plugs!” Natasha’s breathless voice squealed.

He took Natasha by the ear, and placed her in the corner, “Nose right here, Ms. Knight. And not another word about plugs.”

Natasha groaned as he swatted her hard and positioned her, giving her a few more hard swats. “I’ll deal with you after class, Ms. Knight. Bring your plugs.”

“Yes, sir.” She nodded and pressed her nose to the corner.

“All right, ladies, are you ready for your paddling?”

He asked the question to Corinne and Katherine, but it was Adeline’s excited “Oh yeah! Spankings, then oral sex!” that left the class in titters.

“Come here, Ms. Raine. We have another corner for you.” Miss Blake said, pressing Adeline’s nose into the third corner while peppering her rear end with the ruler.

Mr. Sterling turned to the class, his dark eyes aggressive and dominant, causing all the women to lower their eyes and shiver.

Renee was the only one who seemed angry about the whole incident, sitting cross armed with her mouth set in a firm line as she watched him stride toward the bottoms he was about to heat.

Jealousy, perhaps?

“I’m the one with the hot school girl pic for my avatar.” She mumbled.



Do you have a problem with this, Ms. Rose?”

“No. Sir.” She bit out and glared at him sullenly.

“Very well.”

He picked up the paddle again, and tapped Corinne’s pantied bottom softly, caressing it gently, before bringing it down in a sharp loud crack.

She flinched and shuffled on her feet.

He brought the paddle down again, twice more, and she groaned and pressed her cheek into the hard wood desk.

When Katherine felt the cool wood tap her already bare bottom, she clenched involuntarily.

“Relax.” He said, tapping the underside of her cheeks until she softened. “Rear up a bit more, please, Ms. Deane.”


spanked over desk

She pressed her bottom up, and held her breath, waiting for the hard wood to make impact.


The sound startled her before the searing pain seeped into her nether regions.


He struck both cheeks hard and fast, and she choked on a breath.

The heat built in her poor bottom quickly as he paddled her quick and hard, leaving no part of her white bare bottom untouched.

Her howls and pleading fell on deaf ears as he paddled her hard, again and again, until she sagged over the desk, sobbing.

She could barely hear Corinne’s yelps and cries over her own labored breaths.

Oh my gosh, this dreadful teacher had ravaged her ass! And now he was doing the same to her best friend.

“Stop!” She called out, and the loud cracks of the paddle ceased. “It’s my fault.” Katherine cried, turning her tear filled eyes toward her best friend. “You can have the blond hottie. I’ll pick someone different.”

“No, it’s okay. You take him I can always plot out something different.” Corinne sniffled and reached for her hand.

Or,” their teacher’s voice cut in smoothly as he stroked both their sore bottom cheeks. “You could work together on a tandem story. You could mix your pantsing with Corinne’s plotting.”

Natasha giggled from her corner, “You could call it plantsing, sir.” This received a few good girl swats with his palm.

sexy school girl with apple bending over desk


Best idea I’ve heard all day,” Katherine groaned as she placed her hands onto her sore hot bottom. “May we go back to work, sir?”

“Yes, you may.” He patted them each one last time, pulled up Katherine’s panties, and unfolded both of their short skirts.

“Ladies, you may all return to your desks.” He addressed the women in the corners.

Katherine thought she heard Natasha mumble something about butt plugs, as she, Adaline and  Casey returned to their desks.

“All right, class. We are going to stop character sketches and work on a new project, outlining a story. Here’s your premise.”

He wrote in big block letter on the chalk board, and the entire class groaned and flushed when they read the subject.


summer spanks on chalkboard


Well, isn’t that the bomb sauce?” Muttered Renee from behind Katherine.

Mr. Sterling smiled.

“I almost forgot the visual cue. Ms. Blake …?” He led his assistant to the center of the room and sat her in a hard backed chair facing the classroom.

He pointed at Renee and gave her a knowing smile. “Care to do the honors, Miss Rose?”

“My panties are already down,” she said, taking his hand, as he led her to the seated assistant.

“Over Miss Blake’s lap, please.”

The class watched Renee position herself over the assistant’s lap, smiling from ear to ear.

“All right class, let’s begin. “

Miss Blake raised her hand, preparing for the first strike on Renee’s upturned, bare bottom, and everyone leaned forward in anticipation of the visual that would get them all writing, happily.


Excited students clamored outside the door, fighting over a tiny peek through the window.

“Man,” Sarah Young pouted, “I am so taking that class next year!”


So in keeping with today’s kinky / spanky theme 🙂 if you could choose a celebrity to dress up (this is fictitious, of course!) in school girl or boy attire, and receive a sound spanking from an ‘oh so stern’ teacher, whom would you choose?

Hehe, I’ve already made some of my choices today. But I still have more in mind. 😉 How about you?

Thanks for stopping by!

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Author Share – Editing


Author Share black letters

I am so excited to have three amazing women here with me today, talking about the editing process. I have worked with both Kate Richards and Jamie Miles, and have to give them a huge shout out for not only being thorough, but also personable and friendly in their support. I love working with each of them, and appreciate the different aspects they bring to the editing process. I am also super stoked to have Erica Scott here today to talk about copy editing. When I found out that my favorite “bottom” was also a proof reader and copy editor, I just had to bring her into the mix. I’m thankful that they all shifted their busy schedules to share their experience and talk with me about the latest “Author Share” – Editing.

So let’s jump right in!


Katherine Deane: Thanks for joining me today, ladies. What is the biggest thing you each edit for?

Jamie Miles: I am lead editor at Stormy Night Publications, a highly author-centric publisher for spanking and BDSM romance and erotica titles. My primary role is in content editing, but I sometimes do copy editing.

Erica Scott: I work as a freelance proofreader/copy editor and have had several clients, but my two regulars are polar opposites: Stormy Night Publications (spanking erotica), and a company that produces courses on medical topics! I sometimes find myself, in one day, reading subjects that range from anal punishments to the treatment of pressure ulcers.

Kate Richards: As executive editor at Decadent Publishing and co-owner of Wizards in Publishing, quite a variety of genres cross my desk. For example, at Wizards, we recently edited a non-fiction called Open Doors about the lives of women living on both sides of the Israeli/Palestinian border for a charity that helps women to gain the skills to take care of themselves and their families throughout the world. I edit more erotic romance than anything, and I really enjoy spanking fiction, lesbian fiction, and BDSM. And historical romance. And mysteries….

Katherine Deane: What is the biggest mistake that newer authors make?

Erica Scott: I don’t think there is any one biggest mistake, but I do see one error fairly regularly with newer authors—underestimating their readers. They state and restate certain things, over-explain the situations, over-describe their characters. In their eagerness to convey what’s in their head to the readers, they overdo it.

Jamie Miles: I agree that there isn’t a single “biggest mistake” that authors make, since each author is different. If I had to identify a single issue which is one of the most common, I would say that quite often authors don’t identify their target audience well enough. Just because an author wants to write about a dinosaur from outer space who spanks naughty girls with a hairbrush doesn’t mean anybody else wants to read about that.

Kate Richards: I can approach this best as an author, I think. The biggest mistake I made as a new author was completely panicking the first time I received edits. I allowed the colorful, comment-dotted manuscript to make me think I couldn’t write. And, once I breathed again, I learned more from that editor than any since.

Katherine Deane: Kate, I’m so glad you brought up the colors. I admit I actually did panic a bit when I saw my edits the first time. 🙂 So, why the different colors? What do they mean?

Kate Richards: Different editors use highlights in different ways, some don’t use them at all. But, generally, they are a handy way to point out repetitions or repeated issues that an author can then address. Like seventeen uses of “hand” or “tongue” on a page. Or consistent overuse of names, or passive verb phrasing. If an editor does use this method, they should provide you with a guide and some instructions.

Katherine Deane: What’s the difference between a Developmental edit and a full edit?

Jamie Miles: Stormy Night doesn’t use specific terms for the revision process, but the depth of the edit depends on many things—the author’s ability, the plot, the subject material, among other things. Some books will require extensive changes, such as reordering, cutting, and/or adding scenes and chapters, while some books will only need help with things like wording, unanswered questions, plot holes, overused words, and superfluous description.

Kate Richards: I agree with Jamie. No two edits are alike, but a developmental edit will be broader, help the author with character development, plot, story arc. Often a content editor will work with these things, too, but more in depth on a line by line basis.

Katherine Deane: Erica, what are some of the biggest grammatical errors and typos you have found? Inconsistencies?

Erica Scott: How many pages do I have? 🙂 In the olden days of typesetting, before Autocorrect and Spellcheck, I saw a lot more misspelled words (“teh” for “the” was common). Now, the errors are a little trickier; punctuation errors (missing commas, commas where there should be semi-colons, hyphens instead of dashes), words that are properly spelled but used incorrectly (“too” for “to,” etc.), and cases where the author clearly meant one word, but mistakenly typed another that sounds like it (I once saw “plummeted” instead of “pummeled”). Inconsistencies cover a broad spectrum. With stylistic choices, the author will often lose track of which style he/she has chosen (e.g., using “okay,” “OK” and “Ok”), or spell their characters’ names or other proper names differently (Lily on page 12, then Lilly on page 124).

Katherine Deane: How do you show the difference between a POV shift and a chapter break?

Kate Richards: Every publisher has style guides that tell the author and copy editor how to show this in the manuscript, but otherwise, it varies. I think the important thing is that POV shifts aren’t too often.

Jamie Miles: I don’t use copy editing marks; instead, I just write out the necessary change using words.

Katherine Deane: In developmental edits, what do you normally suggest for overall character and plot development (for the spanking romance genre).

Jamie Miles: It depends on the nature of the plot and the author’s interests. One thing I usually suggest is that a spanking scene come sooner rather than later. No one wants to read halfway through a book to find the spanking scenes.

Kate Richards: Exactly. Spanking fiction has quite a variety of storylines. But, absolutely, readers of spanking romance expect spanking. They want to see how that element moves the romance and therefore it must be present. If there’s only one spanking scene at the end, readers will not be pleased.

Katherine Deane: What if the author doesn’t want to make the changes you suggested? Are these written in stone?

Erica Scott: As a proofreader, I will often find things in books or other works that I think need more editing than I’m supposed to be doing. So I will write a note to my client and suggest that they speak to the author about the sections/characters/whatever in question. After that, it’s out of my hands, although I’ve had clients often say “good catch” and “that makes a lot of sense” to me, so I’m hoping they are able to convince the authors too!

 Jamie Miles: Some are written in stone and some are not. We do have some content guidelines and we will not publish a book if its content does not fall within those guidelines. On the other hand, when we are asking for revisions which are not related to our content guidelines and the author does not want to make them, we have to make a judgment call on whether the book is still publishable without the changes.

Kate Richards: Editing should be an interactive process. We make suggestions, the author replies. Sometimes the author will not want to make a change and, if it is important, I will explain why. With a publisher, the final call belongs to house style, with an indie, the author holds that right. But if you, the author, continually disagree with the suggestions made by your editor, perhaps it’s just not a good match.

Katherine Deane: What is the difference between “ –“ (emdash?) and “…” (how are they used?)

Erica Scott:  An em-dash (“—”) signifies a break in thought, an alternate way of indicating a parenthetical statement. If you take out the copy between the dashes, the sentence still makes sense. (“My co-worker’s incessant gum-cracking—not to mention her constant throat clearing—made for an unpleasantly noisy work atmosphere.”) Ellipses (…) can signify the shortening of a list, or a stylistic trailing off of a thought, or a hesitation in speech.

 Jamie Miles: Also, when used in dialogue, an em dash can signal an abrupt break in speech, such as when a character is interrupted. For example:

“Young lady, I’m going not going to tell you again—”

“I’m tired of you bossing me around like a child!” she interrupted him. “You know I’m all of twenty years old…” Her voice wavered as he glared back at her, unmoving.

Katherine Deane: Thanks. And great example of dialog tags also. I would love to go into more detail about them at some point.

Katherine Deane: Why can’t I WRITE in ALL CAPS? I’m trying to REALLY make a point here!

Erica Scott: Because not only does it look like yelling, but it’s the lazy way to emphasize. You’ll get the same effect, without the angry look, if you italicize. If you want to be especially emphatic, you can (very sparingly) use bold italic. But over-emphasizing in any way (whether it be caps, italics, bold, or exclamation points) makes for tedious reading after a while.

Jamie Miles: Tsk, tsk. It looks like someone needs to give Katherine Deane a spanking for writing in all caps when she clearly knows it’s against the rules. As Erica explained, it looks like shouting and not emphasizing, but even when a story’s character is shouting, using italics still looks better.

Kate Richards: What they said. 🙂

Katherine Deane: LOL, Jamie. I believe that was incentive for more All Caps from me 😉 (That would make a great story, by the way 🙂 )

Katherine Deane: Ok, are “LY’s” really Satan’s spawn?

Erica Scott:  Are you talking about words that end with “ly,” and the improper usage of them? If that’s the case, I would like to express my nails-on-the-blackboard frustration with “more importantly” and “I feel badly.” Stop saying and writing these phrases, people! They’re wrong! “More importantly” does not mean the same thing as “more important”; it means “in an important manner.” And if you say “I feel badly,” you’re basically saying that you’re lousy at touching people.

Katherine Deane: Ooh, I just read about this in the “Grammar Girl” book. The word “badly” describes the verb “feel”. So I cannot “feel badly” about being mean to someone. This would mean after I was mean to this person, I turned around and did a very poor job of touching the objects around me. Hehe, I “felt badly”. 🙂

Katherine Deane: What if I have more than one female in a scene, and the POV is the MC Female? I know I am supposed to take out a lot of the names, when in MC’s POV. But it gets tricky, when there are so many she’s going on.

What then?

Kate Richards: It’s something that takes practice. After a while, it becomes natural, but reading out loud helps to be sure you are making sense without name bombing the reader.

Jamie Miles: I don’t think there is a set rule about this as it seems to be a more visual thing and more about what sounds right. But that being said, I would probably go with using “she” for the most part when talking about the MC. Then I would use the side character’s name more often, although I would try to use “she” for the side character when it makes sense that the side character is the one being talked about.

Katherine Deane: Can you explain show vs tell? I have been told this a lot. Turns out, I would be a great writer for onstage musicals.

Throws hands in air; walks away; smiles; sits down 🙂

Jamie Miles: For me, showing your characters doing actions that have a deeper or implied meaning is huge. If a character stutters just a tiny bit when trying to answer a question, or if she shifts her eyes away, that implies many things. Perhaps she is nervous, lying, or frightened. When other bits of detailed description and interesting conversation surround characters doing actions that could have a deeper meaning, you have a good story.

Kate Richards: This deeper meaning allows the readers to be more a part of the story. If you tell me the day was hot, okay, I get the point, but if you show me the beads of sweat on the hero’s muscular chest, the condensation on the glass of chilled white wine, the glare on the windshield, the heroine’s languor in the warm afternoon….I’m there.

Katherine Deane: What are some common issues found, that authors could fix themselves?

Erica Scott:  Spelling errors, certainly. If you get a red squiggle when you type a word, and you’re not sure about it, take a moment to look it up. If you cite anything from a geographical reference to a historical figure, make sure you’ve spelled it properly. Also, the aforementioned inconsistencies. Certainly an editor or proofreader can pick up on these, but it helps if the author stays on top of things and checks/double-checks their styles, name choices, pertinent details, etc., to make sure everything follows. If your character was 18 in 1975, then she’s 57 in 2014, not 53.

Jamie Miles: Mid-scene point of view hopping can easily make writing look less professional than it would otherwise. Giving readers the thoughts, emotions, and experiences of only one character at a time and using either a chapter break or a scene break to signal a shift to a different character’s point of view is something that quickly improves a story.

Katherine Deane: A final personal question for each of you- What do you most enjoy and / or least enjoy about the editing process?

Kate Richards: The most enjoyable part of editing are the same as writing. I love the beginning, and the possibilities, and the end when there is a beautiful shiny story that is everything it could be. The middle is the hard work that gets us there.

 Erica Scott:I take a lot of pride in taking someone’s good work and making it even better. I have a lot of respect for writers and never wish to step on their toes. By the time the copy gets to me, it’s relatively clean. But if I can take a phrase that’s unclear, or a misspelled name, or a choice of word that doesn’t quite fit, and tweak it just a little to perfect it, I get a lot of satisfaction from that. Things will slip by even the best of writers, and that’s where I come in.

That being said, the work can be tedious at times. My eyes get tired and if I don’t take breaks, I miss errors, which really frustrates me. I mean, I’m being paid to find things, not miss them! But sometimes, if there are more than the usual amount of typos, and I’m fixing three errors in one sentence, I might overlook the fourth. Which is why I have to remind myself to go slowly and carefully, and never rush a job. I tend to prefer to work with clients without breakneck turnarounds necessary, for that reason.

 Jamie Miles: The least enjoyable part of my work is that it captures my mind—sometimes when I wish it wouldn’t. I’ll lie awake in bed thinking about an author’s plot, characters, and scenes, contemplating ways to add to them. I even dream about editing. Maybe I need to get out a little more… But the most enjoyable part? Seeing my work and the author’s very hard work come to fruition.

Katherine Deane: Thank you so much ladies! I really appreciate your time and support , not only because of your willingness to go the extra mile in the editing process, but also your extra support with this blog post. This has a ton of great information that I cannot wait to share with the others! Thanks again!


Fellow authors and readers, thanks for stopping by today. So let’s get the discussion started! Let’s talk about eidting editing. 🙂



Our wonderful co-hostesses for the day:


Jamie Miles

Jamie Miles has a bachelor’s degree in English literature and cannot remember a time when she hasn’t thrilled to the magic of characters brought to life on a printed page. When she graduated, her goal was to get into the publishing business, and she has recently found spanking romance and erotica to be an exciting corner of the publishing world. For the past year, she has been editing for Stormy Night Publications and is excited to move to a full-time role with the company. When she’s not editing spanking books, she can be found either engrossed in a good novel or finding new ways to brat the loving, firm-handed man who spanks her, which, she assures readers, is as good a hobby as any.

email – jamie@stormynightpublications.com


Kate Richards

Kate Richards divides her time between Los Angeles and the High Sierras. She would gladly spend all her days in the mountains, but she’d miss the beach…and her very supportive husband’s commute would be three hundred miles. Wherever she is, she loves to explore all different kinds of relationships in her stories. She doesn’t believe one-size-fits-all, and whether her characters live BDSM, ménage, GLBT or any other kind of lifestyle, it’s the love, the joy in one another, that counts.

She explores the editorial side of things as a partner in Wizards in Publishing and executive editor at Decadent Publishing. In working with authors and editors, she has learned the ins and outs of the author/editor relationship and the value of strength and open communication in such an intimate situation. Preserving the author’s voice, being open to the editor’s input, finding the jewel in a book that may still have some rough edges are all critical to the process.

Facebook Fan Pagehttp://on.fb.me/14Vqx48

Goodreads Pagehttp://bit.ly/19yVcWh



Erica Scott

Erica Scott has been a proofreader/copy editor for over 30 years. She is the author of three books: What Happens to Naughty Girls?, a compilation of spanking stories; Late Bloomer,her autobiography; and Correspondence Hall of Shame: One Woman’s Adventures with Online Idiocy. She posts regularly in her blog, Erica Scott: Life, Love and Spanking, and is active on Twitter, Fetlife and Facebook.


Twitter: @EricaLScott — https://twitter.com/EricaLScott

FB: Erica Scott — https://www.facebook.com/EricaLScotthomepage

Fetlife: Erica_Scott — https://fetlife.com/users/16939